Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, February 12, 2012

Pillars of Salt.

"Just the place to bury a crock of gold," said Sebastian. "I should like to bury something precious in every place where I've been happy and then, when I was old and ugly and miserable, I could come back and dig it up and remember."

Sebastian is Evelyn Waugh's tragic bright young thing in the brilliant Brideshead Revisited. His remembering becomes worship, and he clings to his irrecoverable childhood (famously in the form of his teddy bear, Aloysius). I thought of him after a conversation about remembering. We were remembering the places where we were happy: particularly college, when the world was ours and what we did with our freedom was do things that felt holy.

For 4 years, I belonged to that small sub-population at the Catholic University of America that exists mostly in the Top 5 Catholic colleges: Thomas Aquinas, Christendom, Steubenville, the University of Dallas, and... well, praise be to God, there are more than 5 now. Here is a taste:



It's just so true.

It is possible to go to Confession weekly, attend Adoration every day, say the entire Liturgy of the Hours with your dearest friends, study the Great Books and the Doctors of the Church, and be so wrapped in a world that feels comfortingly sanctified all the time.

Get this: There is nothing wrong with that. Those college years are years of intense formation. Looking back at my habits of being, I'm starting to think that I was such a cute little puppy. Have you ever watched little puppies playing? There's a reason they play. If they don't play at being big dogs (and even sometimes think that they already are big dogs), they will never get to become big dogs. If little monkeys don't get to imitate their parents, they do not survive in the wild to become the parents of new little monkeys. My Ana Therese--now 21-months old--plays intensely at dancing, mothering, and praying. I don't grudge her this time of formation, because I know it's crucial to her growth into a young woman who knows she is loved and is capable of loving. The mother delights in her children's play. Our Father delights in our play at pleasing Him.

However. We grow up.

Eventually, the Catholic girls have to leave that bubble. We graduate (sometimes only after several degrees), we enter the workforce, we marry and have children, or we enter a religious order. We grow, and even if our daily lives continue to include the Sacraments and the prayers of the Church, that comforting feeling they once gave us will leave.

I remember when I was first married and jumped out of that puppy life. I was disoriented. Where was my structure? Where was that control? Had it all been pretend? I went into mourning, because I had become so attached to that formation period. I didn't want to take my final vows and move into adulthood. Several years into childbearing, I felt like I had completely lost myself--that Catholic girl who constantly read the Fathers and prayed for hours in the chapel was gone.

She was not gone, but she was invisible. The visible reality of my sanctity, it seemed to me, collapsed under the demands of my adult vocation. Graduates of that formation period have several reactions to the change: Some old friends have declared that all of our prayers and sacrifices were a farce. Because the farce was exposed, it had nothing enduring to offer. It was fun, but now we are beyond all that. This is not true.

It mistakes the path for the summit. It mistakes the stream for the source.

When a seed is buried in the earth and watered, it cracks wide open. It grows pale and the shell rots. The root slowly reaches down for stability, and the shoot pierces that barren earth. The years of playing at sanctity were the seed, and they have fallen away. The girl who lived as a seed is no longer a seed, but is broken and growing up. I reach for the Sun because I died.



My days do not look now like they did when I was 22, or 24, or 27. It does not mean that I'm starting all over again every time a new child is given or a new crisis strikes. When I am able to sit in a church for an hour in silence, it is water to my soul. When I can get to the Sacrament of Confession, I am complete and whole and healed.

I can no longer brag that I say the entire Rosary every day (the 3-year-old cries), wear a mantilla to Mass (the babies tear it off), fast every day of Lent (angry mommies are a near occaision of sin for children), and have read all of Benedict XVI's encyclicals. Instead, I boast in the strength of Christ, because soon He will be all I have.

It is easy to mourn the "glory days." I still hear old men exclaim, "College! The best years of my life!" They were beautiful years, but not the best. This is better, because it is closer to home. I'm not a puppy any more (more like a juvenile!), and I want to be a big dog.







Tuesday, November 1, 2011

The Way and the Saints.

One of the most beautiful feasts of the year: The Solemnity of All Saints.

Reading and meditating on the lives of the saints is an act of true devotion to Christ. There is no better way, for such social creatures as human beings, to know and love God's ways, which are truly "not our ways." In them, God's light shone so clearly. We can only love God more for having known His children. And we, too, can only become His children in the company of our elder brothers and sisters.

"To become saints means to fulfill completely what we already are, raised to the dignity of God's adopted children in Christ Jesus... The saints bring to light in creative fashion quite new human potentialities... The saints are themselves the living spaces into which one can turn ... There is no isolation in heaven. It is ... the fulfillment of all human togetherness." ~Benedict XVI, via Magnificat

Thursday, June 30, 2011

Today's prayer.

Feeling grateful. Because I have seen that, without him, I could lose him.

If time were ever to wear you away
If circumstance should blind me
If age should bring a dark night on my soul
If fear and doubt should bind me




Please stir my heart
Take me back to the fire
Bring to me a recollection of joy
Renew my first desire

If pains and trials come to me
And I cannot stand strong
If fools adjust my theories
To believe Your truth is wrong

I swear it never will happen to me
But how can I know
For Peter swore the same to Thee
O, hear the cock crow.

Thursday, April 21, 2011

Holy Thursday 2011

Have a blessed Triduum. Here to set the tone is Placido Domingo with "Panis Angelicus" at a papal Mass.

Monday, April 18, 2011

Station VIII: The women of Jerusalem.

This is part eight of a series of posts on the Stations of the Cross. Here are Stations I and II and III and IV and Vand VI and VII.

Station VIII: Jesus meets the weeping women.

Jesus meets the weeping women of Jerusalem: "Daughters of Jerusalem, weep not for me, but for yourselves and for your children ... For if they do these things to the green wood, what shall be done to the dry?"

The desolation of human history can only be captured in another song.




This is from Gorecki: "He learned of an inscription scrawled on the wall of a cell of a Gestapo prison in the town of Zakopane, which lies at the foot of the Tatra mountains in southern Poland. The words were those of 18-year-old Helena Wanda Błażusiakówna, a highland woman incarcerated on 25 September 1944. It read O Mamo nie płacz nie—Niebios Przeczysta Królowo Ty zawsze wspieraj mnie (Oh Mamma do not cry—Immaculate Queen of Heaven support me always). The composer recalled, "I have to admit that I have always been irritated by grand words, by calls for revenge. Perhaps in the face of death I would shout out in this way. But the sentence I found is different, almost an apology or explanation for having got herself into such trouble; she is seeking comfort and support in simple, short but meaningful words". He later explained, "In the prison, the whole wall was covered with inscriptions screaming out loud: 'I'm innocent', 'Murderers', 'Executioners', 'Free me', 'You have to save me'—it was all so loud, so banal. Adults were writing this, while here it is an eighteen-year-old girl, almost a child. And she is so different. She does not despair, does not cry, does not scream for revenge. She does not think about herself; whether she deserves her fate or not. Instead, she only thinks about her mother: because it is her mother who will experience true despair. This inscription was something extraordinary. And it really fascinated me."

Tuesday, April 12, 2011

Station IV: Jesus meets his sorrowful mother.

This is part four of a series of posts on the Stations of the Cross. Here are Stations I and II and III.

Station IV: Jesus meets his sorrowful Mother.

O all you that pass by the way, look and see, was there ever a sorrow to compare with my sorrow?” ~Lamentations 1:12

Sometimes a mystery requires a song.


Tuesday, March 1, 2011

Tuesday, February 26, 2008

But I do "get" this.

Here is an article from The Hudson Review on J.S. Bach. It's rather long, but I love the ideas:

"When we hear “Mozart” or “Beethoven,” we think of a person behind the music. When we hear “Bach,” we think of music only."

The composer has become so phantasmal, but his music speaks eternal truths.

I have to include this on the blog, because my Profile says that Shakira and J.S. Bach are my two favorite musicians. That's like saying that Jesus Christ and The Scientist Dad are my two favorite men. The distance between them is infinite.

Lest anyone think I am being flippant, here is an article on Shakira to prove my devotion and that "infinite distance." Or you could just listen to some Brandenberg concertos.

I just don't...


...get it.